- BA2 Collaborating
- BA2 Contemporary Issues in Sound Art
- Creative Sound Project Element 1
- Creative Sound Project Element 2
- Global Sonic Cultures
- Introduction of sound art
- Sonic Doing and Thinking
- Sound art Specialising and Exhibiting Element 2
- Sound studies and aural cultures
- Specializing and Exhibiting
- Uncategorised
Recent Comments
Tag Archives: SE
W10: Project development and Self-research: Wavetable
In the highlight of piece l consider using wavetable as an instrument is a very effective choice, in the wavetable the field recorded audio has been selected into short pieces, where in wavetable can allow the shape to be changed. … Continue reading
W9: Project development and Self-research: redux & auto filter
The redux l used here is a very important and detailed design, having bit depth can have accurate dynamic range as well as quantization noise. i have put the automation on the bit depth, which allows the soundtrack to switch … Continue reading
W8: Project development and Self-research: reverb, simpler & bass pad
Change of work: last week l developed a detailed storyline for my project that matches the genre and concept of the album. This week l’m going to refine it. For the beginning of the piece l choose to create connections … Continue reading
W7: Project development and Self-research: Pure data
During the process of creation l have explored other areas of composing. Pure data is also a software that can create very electric and imitated sound, it can also be used for building sound installations. Class notes: We are trying … Continue reading
W6: Integrating recorded sound into ultimate-channel performance
Class notes: Project development: With the previous development, l created a base melody, however it was very immature and composition was a mess. After listening to the feedback from my peers, l consider to restart my piece with a detailed … Continue reading
Week 5: headphone based spatial listening; intro to GRM spaces plug ins
Class notes: Project development: After this lesson l revised on my last experimental piece and spotted many problematic areas, the entire sound piece had no focus and only repeated with very chaotic composition. Therefore instead of using the exact same … Continue reading
Week 4: Multi-Channel Installation & Performance. 1st of 2 Tutorials
Historical work composed and remixed for multi channel by Pierre Henry: “L’Apocalypse de Jean” (The Apocalypse of John), composed by Pierre Henry in 1968, is a significant multichannel work in electronic music history. This piece was specifically designed for a … Continue reading
Week 3: production for multi-channel work, submission of project and assessment choice
Learning in class From this lesson I learned that the field recording equipment l could use for my project are Zoom H3 VR or Sennheiser Ambeo. Where the speaker in the m108 studio is the octophonic ring, it is a … Continue reading
Week 2: sculpting air – m108 inductions & scoring for multi – channel
Second week into Reverberation and space (In class study) There are Acoustics terms: Absorption: The process by which sound energy is dissipated or transformed into other forms of energy, typically heat, when it strikes a surface or material. Reverb/Reverberation: The … Continue reading
Week 1: Introduction to Spatialisation
First week is an intro into Mono and Stereo (in class study) Where mono is a sound is a single channel of audio that is played back through a single speaker or a set of speakers reproducing the same signal. … Continue reading