Category Archives: Specializing and Exhibiting

W10: Project development and Self-research: Wavetable

In the highlight of piece l consider using wavetable as an instrument is a very effective choice, in the wavetable the field recorded audio has been selected into short pieces, where in wavetable can allow the shape to be changed. … Continue reading

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W9: Project development and Self-research: redux & auto filter

The redux l used here is a very important and detailed design, having bit depth can have accurate dynamic range as well as quantization noise. i have put the automation on the bit depth, which allows the soundtrack to switch … Continue reading

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W8: Project development and Self-research: reverb, simpler & bass pad

Change of work: last week l developed a detailed storyline for my project that matches the genre and concept of the album. This week l’m going to refine it.  For the beginning of the piece l choose to create connections … Continue reading

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W7: Project development and Self-research: Pure data

During the process of creation l have explored other areas of composing. Pure data is also a software that can create very electric and imitated sound, it can also be used for building sound installations.  Class notes: We are trying … Continue reading

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W6: Integrating recorded sound into ultimate-channel performance

Class notes: Project development: With the previous development, l created a base melody, however it was very immature and composition was a mess. After listening to the feedback from my peers, l consider to restart my piece with a detailed … Continue reading

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Week 5: headphone based spatial listening; intro to GRM spaces plug ins

Class notes: Project development: After this lesson l revised on my last experimental piece and spotted many problematic areas, the entire sound piece had no focus and only repeated with very chaotic composition. Therefore instead of using the exact same … Continue reading

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Week 4: Multi-Channel Installation & Performance. 1st of 2 Tutorials

Historical work composed and remixed for multi channel by Pierre Henry: “L’Apocalypse de Jean” (The Apocalypse of John), composed by Pierre Henry in 1968, is a significant multichannel work in electronic music history. This piece was specifically designed for a … Continue reading

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Week 3: production for multi-channel work, submission of project and assessment choice

Learning in class From this lesson I learned that the field recording equipment l could use for my project are Zoom H3 VR or Sennheiser Ambeo.  Where the speaker in the m108 studio is the octophonic ring, it is a … Continue reading

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Week 2: sculpting air – m108 inductions & scoring for multi – channel

Second week into Reverberation and space (In class study) There are Acoustics terms: Absorption: The process by which sound energy is dissipated or transformed into other forms of energy, typically heat, when it strikes a surface or material. Reverb/Reverberation: The … Continue reading

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Week 1: Introduction to Spatialisation

First week is an intro into Mono and Stereo (in class study) Where mono is a sound is a single channel of audio that is played back through a single speaker or a set of speakers reproducing the same signal. … Continue reading

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