- BA2 Collaborating
- BA2 Contemporary Issues in Sound Art
- BA3 Portfolio
- Creative Sound Project Element 1
- Creative Sound Project Element 2
- Global Sonic Cultures
- Introduction of sound art
- Sonic Doing and Thinking
- Sound art Specialising and Exhibiting Element 2
- Sound studies and aural cultures
- Specializing and Exhibiting
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Author Archives: Zihan Zhang
Introduction: Initial ideas
The topic: Critical voice Need: research, analytical and critical skills Enhance the connections between sound practice and critical reflective skills (produce a creative sound work related to your chosen area) Practice-research questions to my blog: Ideas: Above are the areas … Continue reading
Sound art Specialising and Exhibiting Element 2 Reflection plan
Originally I was planning to create an installation with sound, however, as I was thinking about imitating deaf environment, I considered putting my track inside of headphones and letting no sound coming out from the speakers would be better. Thus, … Continue reading
Sound art Specialising and Exhibiting Element 2 Process journal
Idea developments: During this weekend for personal research, l have found out a super interesting and meaningful event that’s created for the deaf and mute community. It is the very first club that was designed for the deaf people, where … Continue reading
10: An Audible Future for Sound Art
Class notes: Idea developments: Up to this point my research still going very complex is because traditionally dance will create for the music but the music doesn’t usually create for the dance, therefore while l was researching for the … Continue reading
8: Low End Theory: Bass Culture, Sound, Space and Bodies
In the period Milo shared with us the document of Low end theory, a draft of an audio paper script. In this document, it demonstrates what the script should look like. Testing recording: Definitions: define the subject specific vocabulary that … Continue reading
7: Sound, Screen and Genre: Horror as a Case Study
Class notes: