While I was creating I used my midi keyboard (Fig below) to help me, I have found using the keyboard and the pad allowing me to compose more precisely. Sometimes I would use reverse and randomize to have me with my idea expansion. Randomizing and reversing music chords can break creative blocks and unlock unexpected compositional possibilities. This approach disrupts conventional musical thinking patterns, forcing the brain to process familiar elements in new ways. Randomization can reveal unique chord progressions that might not emerge through traditional composition methods, while reversing chords can create interesting tensions and resolutions that challenge standard harmonic expectations.
These techniques can also generate fresh emotional responses, as reversed chord sequences might create unconventional builds and releases. The element of chance introduced through randomization can lead to happy accidents and inspire new directions in the composition, helping composers break free from their usual patterns and musical comfort zones.
I experimented with my MIDI keyboard by first exploring velocity sensitivity to create dynamic layers of expression, then diving into aftertouch modulation to add dimensional movement to sustained notes. I mapped different knobs to control filter cutoffs and resonance, which allowed me to shape evolving textures in real-time while performing. Through recording various MIDI sequences at different tempos, I discovered interesting rhythmic variations when manipulating quantization and groove extraction. I used the keyboard to trigger granular synthesis, breaking down samples into micro-elements that I could reconstruct through performance. The most engaging experiments came from creating algorithmic compositions using arpeggiators and developing complex modulation routings that responded organically to my playing dynamics and expression controls.
In addition, I have also discovered a new dance piece trainwreck that gave me some new inspiration and learned from while I was creating. The sound elements in Trainwreck (Contemporary Dance Video) demonstrate a powerful interplay between sonic tension and physical movement:
The composition begins with harsh, distorted industrial sounds that simulate mechanical train elements, overlaid with processed screeching metal textures. The low-frequency rumbling establishes an ominous foundation, while high-frequency metallic impacts punctuate the movements.
Key sound elements include:
- Rhythmic train wheel sounds processed through granular synthesis
- Layered atmospheric drones creating spatial depth
- Manipulated brake squeals with heavy reverb
- Impact sounds synchronized with dancers’ movements
- Filtered white noise suggesting steam/pressure
- Deep sub-bass pulses mimicking train momentum
- Tempo changes that match the choreography’s intensity
- Strategic use of silence to enhance dramatic moments
The sound design effectively mirrors the emotional narrative of the dance, with sonic textures that transition between mechanical harshness and human vulnerability through careful processing and arrangement.